I had always seen tortillons as crude
tools for blending. Smudging, I felt, would flatten the picture at best and blur
it to shit at worst. I hate to dirty my fingers, so it wasn’t until I made a
few tortillons and tried them out on these direct-lighting figures that their
true efficacy became clear. You can probably tell from my previous stills (if
the image is sharp enough) that smudging graphite is new for me. I’d call this
another great leap forward—which isn’t to say I’ve mastered the tool. A stump
can help soften and hide mistakes, but it isn’t a magic wand. Now I have to get
used to putting down the right amount of graphite for it to reach the right
tone when blended, and that takes practice. Even so, Vilppu was correct in
teaching indirect lighting first. It doesn’t look as appealing to my taste, but
it is easier and better for a beginner learning to shade figures. Hence, my
next set will have indirect lighting and I’ll return to direct later on.
10/16/2014 |
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